Where do we go from here? Well, that would depend upon whether we have actually learned something from the Covid-19 pandemic. But it seems we have not. The powers-to-be are poised, waiting for improved conditions so as to continue their unsustainable business as usual. Humankind never learns, not even from major catastrophes. Complacent with money and power, the building industry simply assumes that the practice of architecture will continue in a straight line, and that this emergency was nothing but an annoying pause.

1. A Schizophrenic Approach to Building Cities 

Two currents — so far, irreconcilable and mutually exclusive — are shaping our cities. On the one hand, we have vast construction projects churning profits for multinationals, local firms, and indirectly for stockholders. The media is inundated with their exciting images, and the developing world appears as a testing-ground for the more ambitious (and pharaonic) among those schemes. But are they good for humankind? 

The other design alternative is small-scale, and focuses on human responses to the built environment.1  It uses proven methods to elicit mental wellbeing and bodily healing responses. Its products look very old-fashioned, not because its practitioners blatantly copy traditional forms, but because the healing responses rely upon a specific complex geometry that is common to all historical buildings and cities.2

The visual contradiction arises because, ever since the great schism of the 1920s, the architectural and planning professions pursued a narrow “industrial” set of rules and images. What is “approved” — gets built at great expense and proclaimed with great fanfare as the “image of the future” — is gigantic, and utilizes glass, steel, and sometimes raw concrete, and privileges the automobile in both spatial and temporal scales. Fast speed implies the elimination of detail, ornament, and all components of the pedestrian urban fabric. 

My friends and I would instead like to see a world made for human beings, fit for children and older persons, where every place is healing and makes us well just to be there.3  Is this dream possible? Our only hope is through the marketplace: our cities could become human once again if and when industry realizes the immense commercial advantages of doing so. 

2. Globalism’s Pretensions and Manipulations 

I wish to slay a dragon before we can even begin to discuss these questions seriously. Extractive global imperialism, which runs the world’s economy, has very specific goals: 

  1. Burn fossil fuels as rapidly as possible for the industry to gain peak profits.
  2. Make sure to design cities so that they consume maximum amounts of energy.
  3. Convince governments to replace human-scale sustainable built fabric with monstrous, unsustainable buildings. 
  4. Utilize only expensive building materials to generate profits from their extraction and transportation over long distances. 
  5. Fuel a massive propaganda campaign that makes popular heroes of opportunistic architectural mercenaries supporting these goals. 
  6. Create a monopoly by eliminating local artisans and industries, except for a few that become agents of globalism. 
  7. Erase local building and design cultures (which evolution made biophilic and human-scaled) by banning them as “backward.”

This “business-as-usual” gives us a skyscraper-per-minute, ignoring real-life data on the futility of continuing in this disastrous direction. Léon Krier4  and Henrik Schoenefeldt5  outline the situation clearly, as an antidote to the self-serving propaganda one usually hears. 

Coupling inhuman design — obscenely expensive and energy-wasting architectural “images of modernity”6  — to exclusively automobile transport has led us into an unsustainable mess. “Throwaway” buildings are not meant to last for more than 20 years. The built fabric of recent decades cavalierly omits sound and thermal insulation and is turning into junk. Unloved structures are not worth repairing and are not even salvageable.7

Bringing nature into cities is a major step in the right direction, but it’s only a palliative if the built geometry remains alien. Unfortunately, our world is largely shaped by typologies that are opposite to what human physiology and psychology require.8  This continues because the subservient, sycophantic media praise — instead of condemn — designs that assault our senses. 

There exists an additional problem. To perpetuate its hegemony, dominant power co-opts the ideas presented by the humanist side. But the producers of glass skyscrapers don’t care to understand the elements of human-scale design, and only apply images superficially, to camouflage the standard monstrous and unsustainable typologies. Those highly-publicized attempts are classic scams. 

3. Gardens in the Sky 

As more and more architects discover the health benefits of biophilia, they understandably wish to take advantage of them.9  But, just like in embracing a lofty goal, there is a price to pay, and most practitioners don’t wish to pay it. They need to drop their modernist fixations on stylistic dogmatism going back to the Bauhaus, because much of that toolbox is anti-biophilic.10  For many, unlearning what was taught to them as gospel in architecture school is simply unthinkable. 

And so design schemes utilize anxiety-producing entrances, spaces, and surfaces that are softened somewhat and made more attractive by including lots of plants. While this represents a definite progress, it also reveals the ignorance of architects about what biophilia really is, as well as their stubbornness in not adapting to human physiological and psychological needs. A minimalist industrial/mechanical building set in a garden is a cruel joke, because it mixes negative with positive biophilic effects.11

A concerted effort is now underway to include green in and on the building itself, in the form of living green walls, balcony trees, and roof gardens.12  Those solutions work, if implemented in an intelligent manner, in very restricted geographical regions with constant high humidity and sustained rainfall.13  Such biophilic elements incorporated into built structures must be adaptive, low-maintenance, and low-tech. When successful, they mostly take care of themselves, and merge the built environment with the natural ecosystem.14

Driven by the modernist fixation on an international style, however, architects sell industrial but unworkable “techno-green” schemes to naïve clients the world over. Journals show images of healthy plants, but fail to mention how resource-expensive, high-maintenance, and thus economically unsustainable those prove to be. Real-estate speculators promote this massive deception on a global scale, suppressing pictures of dead vegetation on projects built in the wrong climate.15  Many people unfortunately think of these high-tech gimmicks when referring to biophilic design. 

4. The Path to Sustainability

There is only one way to sustainability: build towns and urban spaces that are loved, and then people will wish to preserve them.16  It’s time to invest in green city innovations — biophilic, instead of deceptive “green-washing.”17

How do we guarantee that users will love a new project? It has to be beautiful!18  Even though notions of beauty are frequently twisted to serve an agenda, Richard Florida argues that the most beautiful places are also the most commercially successful on all counts.19

Looking ahead over the next 20-40 years, the possible (or likely) future of cities is uncertain. It could develop in one of three ways: 

  1. Blissfully going along with the status quo towards a dystopian, industrial, inhuman world. The dominant power will continue to seek out and suppress vestiges of human-scale design.
  2. Transform our world into a humane, healing environment that is also sustainable; slowly at first, then gaining momentum to become the mainstream. 
  3. Mainstream society continues in its destructive path, manipulated by global interests to destroy the environment and erect ugly buildings, while an isolated minority creates healing environments. Those few must continuously fight a culture war to protect the remnants of humanity from the onslaught of the majority power. Humankind is set up for a post-human split into two parts. 

The most likely is the first option, following the historical principle that a tiny minority can never overturn totalitarian power. Only unforeseen large-scale, sometimes catastrophic events could trigger such a change. 

Yet some optimism is indeed called for. We propose an economic solution that can still benefit developers while achieving human-scale urbanism. Legislators can re-write the scale-erasing codes enforced after World War II, because those make the living urban fabric we wish for illegal. Those of us who know the science now consult with architecture and building firms. We apply Alexandrian Patterns20  and supporting geometrical tools for adaptation.21  Neuroscience experiments are finally validating what we knew empirically all along. We are convincing stakeholders of the health and long-term advantages of biophilic design. 

5. Interiors As Living Environments

Why have we forgotten how to build spaces that nurture and comfort us while we inhabit them? Because, decades ago, architecture schools started to teach ridiculous abstractions and stopped considering basic human neurological responses. At the same time, users accepted a severe reduction of their sensorial world, did not complain, and even misinterpreted its alien and sterile look as “modern”. 

People locked inside their dwellings during the recent pandemic might have noticed that those interiors are inadequate to sustain human life emotionally. Indoor spaces designed by architects ignorant of human spatial needs lead to increased degrees of stress and mental illness.22  The effects are the most severe on children, which suggests a huge responsibility. Inhuman environments are still tolerated by the world’s population, because very few people connect their own psychological unease with design minimalism and ill-conceived corners, surfaces, and transitions. 

This is a terrible shame, since decades of discoveries on how design patterns create healing environments are available today as open source to those who are interested in implementing them.23  We know how to create salutogenic geometries.24  Yet the gatekeepers of design knowledge — the architecture schools — have suppressed all of this information. Not only are today’s practitioners mostly ignorant of it, but also whenever they come across such knowledge, they reject it because it threatens the design typologies they have been implementing without thinking. 

And so, despite the long-term shock of living in psychologically oppressive environments, people have not yet realized that the building industry has disregarded their mental and physical health. The architectural media are keeping silent on this point, and not putting the blame where it belongs. Either they don’t care, or cannot reverse decades of praising such psychologically hostile interiors as wonderful, judged purely on visual style.

6. Resilience is Mathematically Related to Human-Scale Design

Resilience is the ability of a working system to withstand perturbations. The degree of resilience is how far a system can be displaced and still bounce back, maybe to a new stable state. The keys to achieving resilience are: 

  1. Use the biological analogy of multi-scale interlinked systems. 
  2. Understand how natural structures evolve in time, and enable the system to re-adjust its functions dynamically. 
  3. Short-term fixes often create long-term fragility by masking deeper problems!
  4. A complex system’s resilient limit is fixed by its most fragile subsystem. 
  5. Narrow efficiencies create fragility, so we need built-in redundancy. 
  6. Human and urban systems work far from equilibrium; therefore, a neat appearance is misleading. 
  7. A resilient living system has an infinite variety, and many more connections compared to 20th Century cities. 

Ordered city geometry that is built today is meaningless for energy cycles. Resilient networks contain inherent diversity and redundancy, with optimal cooperation among their subsystems, yet they avoid optimization (maximum efficiency) for any single process. They require continuous input of energy in order to function, with energy cycles running simultaneously on many different scales.

Short-term urban fixes only wish to perpetuate the extractive model of cities, not to correct its underlying long-term fragility! Today’s power-driven culture of glass and steel skyscrapers typically focuses upon a single efficiency, and ignores everything else. 20th-Century architects and planners optimized city morphology strictly for fast automobile traffic. 

Resilience comes from linked processes and structures working on many different scales. Solutions are found in self-built spontaneous settlements and in traditional cities. Historic evolution took place towards healthier environments through biophilia and design patterns, but city form as decided by design ideology linked to power cannot re-configure into a new system. By worshipping “images of the future,” society doesn’t re-use older successful solutions, and this limitation prevents resilient systems from forming. 

7. Energy Policy Could Re-set Unsustainable Urbanism

We learn how cities actually function by following their energy flows.25  How are buildings fed with energy, and how much embedded energy did they cost to erect and maintain? Construction projects conceived and marketed purely as giant sculptures obscure these points. Spendthrift nations with vast fossil energy reserves that construct glass towers in the desert set a poor president. Other nations copy this profligate practice just to keep up with a wasteful architectural fashion. 

The Covid-19 emergency spurred paradigm-changing trends such as emptied office buildings, work transferring from office to home, remote education, entertainment, and services, etc. Energy use plummeted and so did air pollution. There are strong hints that the toxic smog of large cities contributed to the infection rate. People in lockdown fared much better if they have visual and tactile access to a piece of green space. Sealed buildings may or may not be operable in the future without a substantial upgrade of their air-conditioning systems. 

The fabric of our living world has been severely damaged by a maniacal consumerist mind-set.26  The current pandemic teaches us that the world is capable of radically scaling down energy consumption and energy-consuming transport. Is the world going to continue to build power-generation plants and accept the associated environmental degradation?27  A global re-set could flip energy policy from global to local, from centralized — hence non-resilient — systems to overlapping small-scale energy solutions, and from wasteful to conservative. True sustainability means independence from other countries, implementing frameworks that facilitate switching technologies not tied into a monolithic system. 

8. Improving the Urban Realm

Rules for generating a living city go beyond biophilia.28  The following mathematical points define urban structure that supports wellbeing: 

  • Building façades that employ all the human scales encourage pedestrian occupation and movement alongside them.29
  • Beloved urban spaces are visually defined by being partially surrounded by human-scaled building façades.30
  • Configurational rules for space come from enclosing geometries (yet today’s planners ignore them).31
  • The city has to guarantee a “necklace of public spaces” that are connected by robust pedestrian access.32
  • Legislate mixed use — combining commercial, education, light industry, residential, etc. — and drop monofunctional zoning. 
  • Keep vehicular traffic from invading pedestrian space.33

There is more interaction between architecture and urbanism than is commonly acknowledged.34

Fractals connect to us through their scaling, because our own body is fractal inside.35  A living city is itself a giant fractal, with the critical scales being the human dimensions from 1 cm to 2 m. Everything larger is anchored on these smaller scales, in a way that the complex whole is perceived and works coherently. 

9. Living Places for Children and Aging Populations

Re-making post-war cities fit for children and the elderly accommodates everybody better. This necessitates a return to human-scale design prioritizing pedestrians. The tools are found in traditional cities built up to the 1920s,36  and their application has made neo-traditional urbanism commercially successful.37  But they are disdained by architecture and planning schools and ridiculed by an entrenched élite. 

Public squares and plazas left in traditional city centers attract children, with or without their parents, and older persons with reduced mobility. Organized-complexity implies a blend of trees, bushes, and perhaps some lawn in a plaza. Neo-traditional places let pedestrians experience these configurations close-up,38  not as lifeless abstractions. Contrast this with “hard” contemporary plazas that are emotionally dead, used only by pedestrians taking a shortcut, if at all. Nobody lingers there, because they lack biophilic qualities. 

Our society can only survive by abandoning mindless “design-as-image.” Ignoring human emotional responses, “professionals” have been erasing beauty from our environment for a century. Dominant architectural culture inflicts inhuman geometries on new urban spaces, guaranteeing that those are perceived as hostile, despite the presence of green. 

To see what happens when cities blindly listen to trend-setters, look at the Piazza Verdi in La Spezia, Italy. Drastically reducing its biophilic index killed the life of this urban space. A thriving boulevard full of people, shaded by century-old trees, was destroyed when those trees were cut down and replaced with bizarre abstract “sculptures.”39  After “renovation,” the piazza is despised and sits empty. 

10. Human-Scale Urbanism is Connected But Slow

The flows of a city occur on many networks, which compete on the same ground plane level (separating transportation modes on different heights having proved too problematic). All modes of transport need to connect, with the weaker ones protected from the stronger. This requires special adaptive design to create a safe environment for pedestrians — by not giving in to traffic engineers who gutted our downtowns in order to increase vehicular traffic speed. Again, we are fighting the old top-down approach to city building that ignores human sensibilities. 

The public realm consists of pedestrian space. Loved, usable places pay attention to human dimensions. They are made as comfortable and safe as possible using Christopher Alexander’s Patterns and supporting work.40  Re-introducing old-fashioned bollards protects a pedestrian both physically and psychologically from adjoining traffic. Whenever possible, build arcades and colonnades that enhance the human scales. 

11. Conclusion

While it is encouraging to offer guidelines for the future of cities, nobody really pays attention to such things. Our world is shaped by greed tempered by ideology that dominant power finds useful. Positive ideas about changing for the better — towards a more human built environment — invariably turn into empty slogans that are instrumentalized to continue global consumerism and cultural devastation. Even when we see that, surprisingly, a good idea is adopted by the mainstream, it is given over to be implemented by those who have been damaging the world all along. 

We need the occurrence of a miracle: where new ideas are adopted; new faces not beholden to the old ideology replace guilty collaborators; users educate themselves and henceforth demand healing environments… That is highly unlikely, yet in this age of information, major world changes could occur on very short time scales. There is hope! 

  • 1.  Christopher Alexander (1979) The Timeless Way of Building, Oxford University Press, New York. 
  • 2.  Nikos Salingaros (2019) How Mathematics Will Save the Built World!, Common Edge, 28 January 2019. 
  • 3.  Nikos Salingaros (2012) Beauty, Life, and the Geometry of the Environment, Chapter 2 of Agnes Horvath & James B. Cuffe, Editors, Reclaiming Beauty, Volume I, Ficino Press, Cork, Ireland, 2012, pages 63-103. 
  • 4.  Nikos Salingaros interviews Léon Krier (2001) The Future Of Cities: The Absurdity of Modernism, Planetizen, 5 November 2001. 
  • 5.  Henrik Schoenefeldt (2019) Glass skyscrapers: a great environmental folly that could have been avoided, The Conversation, 14 May 2019. 
  • 6.  Kenneth Masden and Nikos Salingaros (2014) Intellectual [Dis]honesty in Architecture, Journal of Architecture and Urbanism, Volume 38, Issue 3 (2014), 187-191. 
  • 7.  Michael W. Mehaffy and Nikos Salingaros (2019) Building Tomorrow’s Heritage. I. What historic structures can teach us about making a better future, Preservation Leadership Forum, National Trust for Historic Preservation, 26 February 2019. 
  • 8.  Michael W. Mehaffy and Nikos Salingaros (2006) Geometrical Fundamentalism, Chapter 9 of A Theory of Architecture, 2nd Edition, Sustasis Press, Portland, Oregon. 
  • 9.  Miriel Ko (2020) The biophilic office: Reconnecting nature to the workforce, FuturArc Journal, 2020. 
  • 10.  Nikos Salingaros (2019) The biophilic healing index predicts effects of the built environment on our wellbeing, JBU — Journal of Biourbanism, Volume 8, No. 1 (2019), 13-34. 
  • 11.  Nikos Salingaros (2015) Biophilia and Healing Environments, Terrapin Bright Green LLC, New York. 
  • 12.  Paul Downton (2016) Green roofs and walls, in C. McGee, Editor, Your home: Australia’s guide to environmentally sustainable homes, 5th edition, Department of Industry, Innovation and Science, Canberra, pages 299–307. 
  • 13.  Nirmal Kishnani (2019) Ecopuncture, FuturArc/BCI Asia Construction Information, Singapore, 2019. 
  • 14.  Paul Downton, D. Jones, J. Zeunert and P. Roös (2017) Biophilic design applications: Putting theory and patterns into built environment practice, KnE Engineering – The international conference on design and technology, pages 59–65. 
  • 15.  Ettore Maria Mazzola (2019) Unsustainable Sustainable Versus Inheritable Development, New Design Ideas, Vol. 3, No.1 (2019), 21-31. 
  • 16.  Nikos Salingaros (2017) Neuroscience and Preservation: Measuring the Healing Properties of Places, Preservation Leadership Forum, National Trust for Historic Preservation, 24 October 2017. 
  • 17.  Michael W. Mehaffy and Nikos Salingaros (2013) Why Green Often Isn’t, Resilience, 5 April 2013. 
  • 18.  Nikos Salingaros (2019) Beauty and the Nature of Matter: The Legacy of Christopher Alexander, New English Review, 1 May 2019. 
  • 19.  Richard Florida (2019) The Beauty Premium: How Urban Beauty Affects Cities’ Economic Growth, City Lab, 15 May 2019. 
  • 20.  Christopher Alexander, S. Ishikawa, M. Silverstein, M. Jacobson, I. Fiksdahl-King and S. Angel (1977) A Pattern Language, Oxford University Press, New York.
  • 21.  Nikos Salingaros (2018) Design should follow human biology and psychology, Journal of Biourbanism, Volume 7, No. 1 (2018), 25-36. 
  • 22.  Marco Aresta and Nikos Salingaros (2021) The importance of domestic space in the times of COVID-19, Challenges (MDPI), 12(2), Article 27 (2021), 19 October. doi: 10.3390/challe12020027. 
  • 23.  Michael Mehaffy, Yulia Kryazheva, Andrew Rudd and Nikos A. Salingaros (2019) A New Pattern Language for Growing Regions: Places, Networks, Processes, Sustasis Press, Portland, Oregon, 2019. 
  • 24.  Nikos Salingaros (2015) How Do We Create Healing Spaces?, Metropolis, 25 November 2015. 
  • 25.  Michael Mehaffy (2012) The Real Reason Cities Can Be So Much Greener Than Other Places, City Lab, 22 February 2012. 
  • 26.  Kongjian Yu (2017) Green Infrastructure Through the Revival of Ancient Wisdom, American Academy of Arts and Sciences, Summer Bulletin, 2017. 
  • 27.  Mumtaz Soogund interviews Nikos Salingaros (2013) Energy Advice: Think Long Term and at the Local Level!, Permaculture Research Institute, 25 March 2013. 
  • 28.  Jack Airey, Editor (2019) Building Beautiful, Policy Exchange, London, UK. 
  • 29.  Michael Mehaffy, Yulia Kryazheva, Andrew Rudd and Nikos A. Salingaros (2019) Pattern 2.3: PUBLIC SPACE SYSTEM, in A New Pattern Language for Growing Regions: Places, Networks, Processes, Sustasis Press, Portland, Oregon, 2019, pages 48-51. 
  • 30.  Ann Sussman and Nikos Salingaros (2020) Biometric pilot-studies reveal the arrangement and shape of windows on a traditional façade to be implicitly "engaging", whereas contemporary façades are not, Urban Science, Volume 4, Issue 2: article number 26, May 2020, 1-19. 
  • 31.  Nikos Salingaros and Pietro Pagliardini (2016) Geometry and life of urban space, Chapter in: Back to the Sense of the City, 11th Virtual City & Territory International Monograph Book, Centre of Land Policy and Valuations (Centre de Política de Sòl i Valoracions), Barcelona, Spain (2016), pages 13-31. 
  • 32.  Michael Mehaffy, Yulia Kryazheva, Andrew Rudd and Nikos A. Salingaros (2019) Pattern 6.1: PLACE NETWORK, in A New Pattern Language for Growing Regions: Places, Networks, Processes, Sustasis Press, Portland, Oregon, 2019, pages 97-100.
  • 33.  Nikos Salingaros (1998) Theory of the Urban Web, Journal of Urban Design, Vol. 3 (1998), 53-71. Chapter 1 of Principles of Urban Structure, Sustasis Press, Portland, Oregon, 2014. 
  • 34.  Nikos Salingaros (1999) Urban space and its information field, Journal of Urban Design, Volume 4 (1999), 29-49. Chapter 2 of Principles of Urban Structure, Sustasis Press, Portland, Oregon, 2014. 
  • 35.  Nikos Salingaros (2012) Fractal Art and Architecture Reduce Physiological Stress,  JBU — Journal of Biourbanism, Volume II, No. 2 (2012), 11-28. 
  • 36.  Nikos Salingaros (2018) Socio-cultural Identity in the Age of Globalization, New Design Ideas, Volume 2, No. 1 (2018), 5-19. 
  • 37.  Maddalena Iovene, Nicholas Boys Smith and Chanuki Seresinhe (2019) Of Streets and Squares, Create Streets, Cadogan, London, UK. 
  • 38.  Jay Walljasper (2019) How a Florida beach town changed how we live: 12 Ways that Seaside revolutionized how we think about cities and towns, Public Square, 14 May 2019.
  • 39. Nicola Maggi (2013) Quer Pasticciaccio Brutto de La Spezia, Collezione da Tiffany, 22 August 2013. 
  • 40.  Nikos Salingaros (2017) Design Patterns and Living Architecture, Sustasis Press, Portland, Oregon.